QED Productions presentsMad Forest
A new production of Caryl Churchill's play.
Directed by Julia O'Brien
Final Week: thru March 4th
Hudson Guild Theatre
441 West 26th Street
For Tickets & Info: www.qedproductions.org
QED Productions presents
The Vortex Theater Company presents
If ever there was a case to be made for giving a Tony Award for for an ensemble of actors, that case is being made at the Belasco Theatre where Journey's End is currently blowing away audiences nightly. Based on the real-life experiences of playwright R.C. Sherriff, the play is a tight, tense, emotional portrait of several days on the front line in France during World Ward I. It's a pleasure to see an audience as involved and engaged in a two-and-a-half-hour, almost plot-less drama as the one I sat with this evening. David Grindley, who directed the play a few years ago in London, has assembled a perfect, mostly American cast, lead by the superb Hugh Dancy and Boyd Gaines. Let's hope that Journey's End, bucks the trend and a thought-provoking intense drama can find success on Broadway.
Alan Ball's All That I Will Ever Be is an interesting mess of a play. There are parts that are absolutely riveting and there are parts that are absolutely stage-y in the worst sense of the word. Peter Macdissi plays a bisexual male prostitute who is constantly reinventing himself as much for his own sake as for the “pleasure” of his clients. We constantly question who Omar is, if that is even his real name. And then we question who anyone is – are we the sum of our past experiences and if so how is that different (if at all) from the story we tell to others. Its a fascinating premise and when All That I Will Ever Be plays on that premise it borders on brilliant. And then there is the rest of the play, in which characters are able to all-too-eloquently sum up their emotions, and glibly confront each other. The cast is uniformly excellent and I'm beginning to think Jo Bonney's accolades as director are truly the result of the talented casts she is lucky enough to assemble.
The Sum of Us Theatre Company presents
...well, at least "alive", but not for long - this revival is about to close. As for "well" ...well, not really. The group numbers really soar, as does Gay Marshall in her solo songs. Former American Idol, Constantine Maroulis is charming if a bit mannered. But the real problem is the tone of the evening...cheap laughs, sentimentality, song and dance...it's all there, but jarringly so from song to song. Maybe audiences today expect more than they did in 1968, they certainly pay more.