A Puppet Rock Opera (in one act)

Love is Like Mud is a story about the romantic misadventures between city dwellers Jon and Anne. After meeting on the subway they have an awkward first date, followed by a torrid night of sex. Before they know it they are in the midst of a relationship, wondering if they have fallen in love.

Love is Like Mud:
A Puppet Rock Opera (in one act)

October 15 @ 9:30pm
October 22 @ 9:30pm
October 29 @ 9:30pm
November 7 @ 7:30pm
November 14 @ 7:30pm
November 21 @ 9:30pm
November 28 @ 7:30pm
December 3 @ 7:30pm
December 10 @ 9:30pm
December 17 @ 9:30pm

@ The Tank
354 W. 45th Street
New York, NY 10036

For Tickets & Info: www.thetanknyc.org

Target Margin Lab @ The Brick

Target Margin Theater is celebrating their 20th Season this year, and kicking things off is their LAB SERIES at The Brick in Williamsburg:

THE YELLOW SOUND
by Wassily Kandinsky
Lead Artists-Kate Sinclair Foster & Mary Neufeld

A visual soundscape of giant puppets, psychedelic colors and indistinct beings.

Thursday, 11/4 at 8pm
Friday, 11/5 at 8pm
Saturday, 11/6 at 8pm
Sunday, 11/7 at 7pm
Monday, 11/8 at 8pm

THE MAGIC FLUTE (A Sound-Op Era)
adapted from the opera by Wolfgang Amadeus Mozart
Lead artist-Kate Marvin

Kann Musik bezaubern? Could a flute be the key? Does the “flöte” put the “zauber” in TMT? (And what’s going on with the Freemasonry?)
A zauberoperatic journey through fire, water, and glitter starring theremins, opera singers, ukuleles, dictaphones, melodicas, maestros with big hair, speakers of Transrational German, wind-up dolls, toy pianos, Stage Managers in tights, Sound Demons in tuxedos, Freemasons in fake beards, and the sound of magic.

Wednesday, 11/10 at 7:30pm
Thursday, 11/11 at 8pm
Friday, 11/12 at 8pm
Saturday, 11/13 at 8pm
Sunday, 11/14 at 7pm

THE MOTH AND THE FLAME
by Clyde Fitch
Lead Artist-Yuri Skujins

Written in the late 19th century, this relentlessly chatty and darkly comedic play looks at the strivings--financial, social, and otherwise--of that era's plucky New Yorkers and their curiously modern concerns and timely dilemmas.

Tuesday, 11/16 at 8pm
Wednesday, 11/17 at 8pm
Thursday, 11/18 at 8pm
Friday, 11/19 at 8pm
Saturday, 11/20 at 8pm

Tickets are only $12 if you buy before Halloween!

Click Here for tickets.

2010 Fall Preview

Here are 13 shows that Ludlow Lad is excited about seeing this fall:

underneathmybed: A new play by Florencia Lozano in which ghosts of a dirty foreign war haunt a family. Rattlestick Theatre; starts September 1. www.rattlestick.org

Roadkill Confidential: This new play by Sheila Callaghan is described as a noir-ish meditation on brutality. 3LD Art & Technology Center; starts September 7. www.clubbedthumb.org

Orlando: Sarah Ruhl takes on Virginia Woolf. Classic Stage; starts September 8. www.classicstage.org

Brandywine Distillery Fire: Matthew Freeman and Matthew Gardner promise to develope a theater work in the "wrongest" way possible which may never delivers on its promises. Incubator Arts Project; starts September 9. www.brandywinedistilleryfire.com

Down There: Based on the real-life 1965 torture murder of Sylvia Likens, Down There is a new play from Axis Company, written and directed by Randy Sharp. Axis Theatre; starts September 9. www.axiscompany.org

The Little Foxes: Director Ivo van Hove, who has previously taken on Williams, Ibsen and Moliere now turns his talents to Lillian Hellman's famous play. New York Theatre Workshop; starts September 10. www.nytw.org

The Divine Sister: Charles Busch gets back to his roots in this hilarious new comedy that was workshopped at Theater for the New City earlier this year. Soho Playhouse; starts September 12. www.divinesisteronstage.com

Angels in America: Michael Greif directs Tony Kushner's gigantic play. Parts one and two run in rep from September 14th through January 30th. signaturetheatre.org

Orange, Hat and Grace: Artistic Director Sarah Benson directs this new play by Gregory S. Moss that is described as a funny, fierce and provocative inquiry into our relationship with the natural world. Soho Rep; starts September 15. www.sohorep.org

Three Sisters Come and Go: Anton Chekhov vs. Samuel Beckett vs. Julia Kristeva in this beautifully designed piece that gets a return engagement at Theaterlab; starts September 29. www.theaterlabnyc.comli

Middletown: A new play by Will Eno, directed by Ken Rus Schmoll that explores the universe of a small American town. Vineyard Theatre; starts October 13. www.vineyardtheatre.org

A Free Man of Color: The amazing John Guare's new play, described as a "freewheeling epic" set in 1802 New Orleans. Lincoln Center Theater @ the Vivian Beaumont; starts October 21. www.lct.org

(oh my god I am so) THIRST(y): Little Lords bring back their great adaptation of Eugene O’Neill’s play. October 21 - 30, 2010 @ Incubator Arts Project www.littlelord.org

2010 Fringe Encore Series Productions

The productions that will be part of the 2010 Fringe Encores Series have been announced.

They are:

Getting Even With Shakespeare
How My Mother Died of Cancer, and Other Bedtime Stories
SOUTH PATHETIC
PigPen Presents: The Nightmare Story
Over and Over
The Twentieth-Century Way
Running
Saving Throw Versus Love
Hearts Full of Blood
Amsterdam Abortion Survivor
Faye Lane's Beauty Shop Stories
The Hurricane Katrina Comedy Festival
Lost and Found
MADE IN TAIWAN
BUNKED!: A New Musical
Just In Time - The Judy Holliday Story
POPE! An Epic Musical
Jurassic Parq: The Broadway Musical
When Last We Flew
The Secretaries
and
Viva Los Bastarditos!

For Dates, Times and Tickets fo to: www.fringenyc-encores.com

2010 Fringe Awards

Audience Favorite:

• Viva Los Bastarditos!

Unique Theatrical Experience:

• Ground to Cloud
• Daddy Day

Excellence in Dance:

• Namely, Muscles
• Swaha: Rituals of Union

Excellence in Solo Shows:

• Miss Magnolia Beaumont Goes to Provincetown
• Driving the Saudis
• SCARED SKINNY: a one (hundred pound lighter) woman show
• VIVA LA EVOLUCION!
• Faye Lane's Beauty Shop Stories

Excellence in Directing:

• Divya Palat for A PERSONAL WAR- STORIES OF THE MUMBAI TERROR ATTACKS
• Kym Gomes for By Hands Unknown
• Josh Liveright for Alternative Methods

Excellence in Ensemble:

• Veritas
• Timing of the Day
• The Secretaries
• Dear Harvey

Excellence in Music and Lyrics:

• The Pig, The Farmer, and The Artist
• The Morning After / The Night Before
• POPE! An Epic Musical

Excellence in Playwriting:

• James Asmus for Hearts Full of Blood
• Matt Saldarelli for Getting Even with Shakespeare
• Stephen W. Baldwin for My Name is Ruth
• Harrison David Rivers for When Last We Flew

Excellence in Performance:

• Marina Squerciati for Just in Time: The Judy Holliday Story
• Jake Ahlquist for Richard 3
• Deanna Pacelli for 23 Feet in 12 Minutes – The Death and Rebirth of New Orleans
• Rory Limpede for When Last We Flew
• Jared Houseman for Art of Attack
• Geraldine Librandi for Lost and Found
• Tyler Moss for Terror Super Highway

Overall Excellence in Production (Play):

• The Hurricane Katrina Comedy Festival
• The Momentum
• Pig Pen Presents: The Nightmare Story
• The 20th Century Way

Overall Excellence in Production (Musical):

• Jurassic Parq: The Broadway Musical
• Bunked!: A New Musical

Heads Up: Orange, Hat & Grace @ Soho Rep

This is the first production of Soho Rep's 2010-2011 Season.

In a cabin in the woods, aging Orange finds her orderly life upended by a feral suitor and the reappearance of a figure from her past who's come home for a final visit. Equal parts American gothic and unlikely romance, ORANGE, HAT & GRACE is a funny, fierce and provocative inquiry into our relationship with the natural world.

Don't miss the Soho Rep production this remarkable new play and Gregory S. Moss' NY debut. Directed by Artistic Director, Sarah Benson (BLASTED), ORANGE, HAT & GRACE was written in Soho Rep's 2009 Writer/Director Lab.

Featuring:
Reyna de Courcy, Matthew Maher and Stephanie Roth Haberle

Director: Sarah Benson
Set Designer: Rachel Hauck
Lighting Designer: Matt Frey
Costume Designer: David Hyman
Sound Designer: Matt Tierney
Hair & Makeup Designer: Jon Carter
Fight Director: J. David Brimmer
Production Stage Manager: Terri K. Kohler

For Tickets & Info: www.sohorep.org

In Defense of Fringe

Once again people are questioning the existence of The New York International Fringe Festival. Our question is: When was the last time you saw a people lined up down the block or around the corner to get into the Lucile Lortel or the Players Theater? The Fringe succeeds in making people excited about theater. And on that score alone Ludlow Lad give it a big thumbs up.


But let’s address some of the complaints in the recent NY Times article . Since year one, FringeNYC was criticized for adjudicating participants, yet these are usually the same people that complain about the random quality. You can’t have it both ways; does anything think the quality would be better if FringeNYC participants were admitted on a first-come-first-served or lottery basis?

Ludlow Lad is not even sure what part of FringeNYC is “poorly orginized” according to Jason Zinoman. Every show starts pretty much on time and there is no late seating - rules Ludlow Lad thinks should become law in NYC. The fact that 197 shows happen at 18 venues without incident is pretty amazing actually. We rarely see box office incidents or house management issues at all. One line for Will Call and one line for Ticket Buyers - it’s pretty efficient.

As we’ve said before, it would be wonderful if Fringe NYC could happen in a geographically concentrated area - but did you see East 4th Street this year? There were six venues between Bowery and 2nd Avenue. What other block has more venues than that? The only thing that could have made it better (besides getting New York Theater Workshop as a venue) would be having Fringe Central on that block, too.

And of course it difficult finding the gems among 197 shows. Maybe the Fringe website needs to allow for slightly longer descriptions - but that could become even harder to navigate. Maybe space could be allotted to previous credits of the participants of each show - but even that is no grantee of success. As a former FringeNYC participant, Ludlow Lad would argue for longer tech time in the assigned venues - this could allow for better production values (or at least smoother first performances). But as someone who is NOT looking for the the next Broadway hit and just looking for some interesting shows, Ludlow Lad thinks Elena Holy and the whole FringeNYC teal to an outstanding job and we’d hate to see the The York International Fringe Festival go anywhere!